Excellent practice! Virtually everything sounded good, which I attribute largely to changes in the sound mix. Keith's guitar was quieter and I could hear everything! It's amazing just how good we can be as a group when we can hear each other.
The three new songs should be ready for the next show. And to top things off, Bill bought two wireless rigs (one for a headset, and the other for a microphone), so the stage show should be livelier next time with three of us being wireless. Keith is now thinking about going wireless as well, which would be great.
On the downside, we played a few songs we haven't done for a while, and everybody had some rough moments here and there with them, just trying to remember things. Clearly there's some review necessary, but we have another week of practice before we have to play most of those songs in public again.
There was some discussion of a possible new song for Helen, with Eurhymics and Pretenders songs coming up. And for the rest of us, we were talking about doing some REM or U2, or even the '80's hit "Turning Japanese", which would be fun.
We were talking about our set lists for the upcoming shows during a break, and most of the band had songs that had been omitted from the list that they wanted to put back in for the next show. Dale pointed out that those songs would have to replace something else, so he was looking for suggestions as to what to take out. The reality is that everybody understandably wants to put our best foot forward whenever we play out, but at the same time, we need to have variety or people coming to see us will get bored, then stop coming. Why have a 60+ song list if we're only going to use 2/3 of it? I'm a big advocate of rotating songs, but most of the group resists doing anything so systematic.
Sunday, February 10, 2013
Thursday, February 07, 2013
JW - 2/3/2013
I'd been looking forward to this session after working with our general sound last week. I was ultimately a little disappointed. It helps to have Andy's guitar in the monitors, but we ultimately ended up so loud again that I couldn't hear Keith's voice at all and couldn't hear Bill's voice as much as I would've liked.
We went back over some old material and made sure to include the newest songs. You can tell we hadn't hit some of the old songs for a while. Fortunately, we'll be focusing on these again in the coming weeks, and I'm sure they'll be fine after we give them some attention.
Andy is doing a nice job of getting the sounds for "Let It Be". Still don't know if that's really a bar song, but it sounds good. Enjoying the vocals on "Surrender", but we're not consistent enough in how we're doing the group vocals at the end. I think the crowd is going to love that one, though. Re: "Movin' On", we hardly need another Bad Company song, but I think it's in there chiefly for political balance within the band, and I'm fine with that.
I know everybody is a little bored of the old stuff, but you've got to touch on it on occasion or you lose the tightness. I've always favored a systematic return periodically to any song we play regularly, feeling that if there is enough of that old material, we can avoid boredom by having enough of it that it takes a long time to circle back to any one song, but "systematic" generally isn't the JW way. Don't know why; it just isn't.
We went back over some old material and made sure to include the newest songs. You can tell we hadn't hit some of the old songs for a while. Fortunately, we'll be focusing on these again in the coming weeks, and I'm sure they'll be fine after we give them some attention.
Andy is doing a nice job of getting the sounds for "Let It Be". Still don't know if that's really a bar song, but it sounds good. Enjoying the vocals on "Surrender", but we're not consistent enough in how we're doing the group vocals at the end. I think the crowd is going to love that one, though. Re: "Movin' On", we hardly need another Bad Company song, but I think it's in there chiefly for political balance within the band, and I'm fine with that.
I know everybody is a little bored of the old stuff, but you've got to touch on it on occasion or you lose the tightness. I've always favored a systematic return periodically to any song we play regularly, feeling that if there is enough of that old material, we can avoid boredom by having enough of it that it takes a long time to circle back to any one song, but "systematic" generally isn't the JW way. Don't know why; it just isn't.
Sunday, January 27, 2013
JW - 1/27/2013
No Bill this time, which was expected because everybody seemed particularly busy this weekend, and getting four of us together was the best we would do.
The main objective of the session turned out to be working out our PA issues, which was fine with me after the last show. The core of the problem is that Keith was having trouble hearing his own guitar, so he kept turning up, leaving me unable to hear anything other than Keith's guitar, including lead vocals. In addition, Andy and I can't hear each other on stage, and Dale can barely hear my bass. Hardly a mix that lends itself to a tight band and good group vocals.
While waiting for Keith, the remaining three of us experimented with Andy and I going directly through the mixing board. It had the intended mix effect, but sounded muddy. Not good. After Keith arrived, we ultimately arrived at a reasonable compromise and tried it to see what would happen. Bottom line is that the compromise seems to be a success. We'll be running a small amount of my bass and Andy's guitar/keys through the monitor system, turning up the vocals, and putting an additional monitor speaker back with Dale. Worked like a charm in practice; I've never heard the vocals and Andy's guitar so clearly.
We did run through some songs, including "Surrender" and "Movin' On", with myself and Keith on lead vocals respectively. Not bad; it should be no problem to include both in the upcoming shows.
I was doing some experimenting of my own, turning down the output level of my five string bass to more closely match the Rick, so I won't have so much difference in volume when I change from one bass to the other. Still needs some work, but better.
Dale had made provisional set lists for the March show. Lots of commentary; not much settled. Looking forward to next weekend, with Bill expected back and an improved sonic balance.
The main objective of the session turned out to be working out our PA issues, which was fine with me after the last show. The core of the problem is that Keith was having trouble hearing his own guitar, so he kept turning up, leaving me unable to hear anything other than Keith's guitar, including lead vocals. In addition, Andy and I can't hear each other on stage, and Dale can barely hear my bass. Hardly a mix that lends itself to a tight band and good group vocals.
While waiting for Keith, the remaining three of us experimented with Andy and I going directly through the mixing board. It had the intended mix effect, but sounded muddy. Not good. After Keith arrived, we ultimately arrived at a reasonable compromise and tried it to see what would happen. Bottom line is that the compromise seems to be a success. We'll be running a small amount of my bass and Andy's guitar/keys through the monitor system, turning up the vocals, and putting an additional monitor speaker back with Dale. Worked like a charm in practice; I've never heard the vocals and Andy's guitar so clearly.
We did run through some songs, including "Surrender" and "Movin' On", with myself and Keith on lead vocals respectively. Not bad; it should be no problem to include both in the upcoming shows.
I was doing some experimenting of my own, turning down the output level of my five string bass to more closely match the Rick, so I won't have so much difference in volume when I change from one bass to the other. Still needs some work, but better.
Dale had made provisional set lists for the March show. Lots of commentary; not much settled. Looking forward to next weekend, with Bill expected back and an improved sonic balance.
Saturday, January 19, 2013
JW - 1/19/2013
Everybody on board after skipping a week due to Keith's illness. Similar to the last session in that we sounded very rough to start, then got a lot better. I'd say we sounded pretty good by the end. Personally, I felt run down (from work) and wasn't at my best, but I missed playing last week and couldn't wait to get at it in spite of how I felt.
We started work on some of the new songs. "Let It Be" works well enough. Doesn't seem like a good song for a bar band to me, but I'm willing to give it a shot and see how an audience likes it. Could be a great change of pace, and certainly a song most bar bands won't touch in spite of popularity.
"Movin' On" by Bad Company has a few timing issues, but is a natural fit and won't be much trouble to work out. "Surrender" also came together quickly, though I'd like to work the vocals out more precisely than we have.
Those three will be added to the list for our 2/23 show, along with bringing some songs back from the sidelined list. I'd like to have more change from the last time, but it seems that everybody has their hands mighty busy these days in their personal lives, myself included. I'd also like to see more of a steady rotation of songs coming in and out of the list, rather than the relatively few substitutions we've seen to date, but I'm alone on that front. Most of the group tends to resist any attempts to organize some things (one of them being the set list) too rigidly.
We had some fun today with bringing back some of the sidelined songs and getting a little creative with them. "Mississippi Queen" and "Born on the Bayou" were back, with brief spontaneous digressions into other songs during "Born on the Bayou". We also played the Stones' "Brown Sugar", which I'd played years ago with other bands and apparently used to be part of the JW song list. It sounded really good almost right away and might be added to the list.
We had some discussion re: our PA set-up, and agreed to experiment with running everything through the mixing board. Keith thinks we'll lose too much of our sound that way, but seemed to be the only dissent. Everybody else is at least willing to try it. Looking forward to that, since it should result in a much better mix. I believe that will help our playing, since we'll be able to hear each other much better, which should help to reduce the goofy little mistakes that we've had too often on stage in the past. I know we're better than we've sounded in public so far.
We also had some discussion of possible upcoming shows. Still nothing terribly new, but that's okay. I'd rather get the bugs worked out of our performances before going too much further.
We started work on some of the new songs. "Let It Be" works well enough. Doesn't seem like a good song for a bar band to me, but I'm willing to give it a shot and see how an audience likes it. Could be a great change of pace, and certainly a song most bar bands won't touch in spite of popularity.
"Movin' On" by Bad Company has a few timing issues, but is a natural fit and won't be much trouble to work out. "Surrender" also came together quickly, though I'd like to work the vocals out more precisely than we have.
Those three will be added to the list for our 2/23 show, along with bringing some songs back from the sidelined list. I'd like to have more change from the last time, but it seems that everybody has their hands mighty busy these days in their personal lives, myself included. I'd also like to see more of a steady rotation of songs coming in and out of the list, rather than the relatively few substitutions we've seen to date, but I'm alone on that front. Most of the group tends to resist any attempts to organize some things (one of them being the set list) too rigidly.
We had some fun today with bringing back some of the sidelined songs and getting a little creative with them. "Mississippi Queen" and "Born on the Bayou" were back, with brief spontaneous digressions into other songs during "Born on the Bayou". We also played the Stones' "Brown Sugar", which I'd played years ago with other bands and apparently used to be part of the JW song list. It sounded really good almost right away and might be added to the list.
We had some discussion re: our PA set-up, and agreed to experiment with running everything through the mixing board. Keith thinks we'll lose too much of our sound that way, but seemed to be the only dissent. Everybody else is at least willing to try it. Looking forward to that, since it should result in a much better mix. I believe that will help our playing, since we'll be able to hear each other much better, which should help to reduce the goofy little mistakes that we've had too often on stage in the past. I know we're better than we've sounded in public so far.
We also had some discussion of possible upcoming shows. Still nothing terribly new, but that's okay. I'd rather get the bugs worked out of our performances before going too much further.
Sunday, January 13, 2013
Meditation/Work Pressure
Work is not a good place to be right now. The short version is that we've been saddled with a very top down plan by a new Big Cheese who apparently doesn't remember the realities of desk level work. It is literally impossible to do our jobs, as the volume of work daily far exceeds the time available and there is no opportunity to gain ground unless you work far more hours than anyone is likely to work. A lot of people tried working extra hours, only to find that they were simply falling behind at a slower rate, so they simply gave up.
One of the arguments we've heard a lot lately from management is that this isn't necessarily a 40 hour/week job. I see the point, and have no problem with having to work some extra time to get over a temporary overload, but when you lose ground on even the lightest days, you've got to wonder what sort of estimated work hours they're using in their calculations. This is usually the lightest time of year, so what happens when things get really busy?
Not to mention that we still have the same number of people total doing the work, so this new method is demonstrably less effective than what we were doing before. How is this better?
So keeping my mental balance is more important than ever before. My meditation practice was slacking for a while under the pressure, as I was having trouble sleeping due to the stress and needed the sleep more than the meditation. I had to learn to let go of the anger and remember to play the long game here. My mental fortitude has to outlast Big Cheese's willingness to put up with bad results. I've done well enough for the last week after losing my balance for a while.
One of my books nailed it, reminding me to do my best and forget about results. I'd predicted before any of this started that the true crash wouldn't come until April or May, so this is going to take time.
One of the arguments we've heard a lot lately from management is that this isn't necessarily a 40 hour/week job. I see the point, and have no problem with having to work some extra time to get over a temporary overload, but when you lose ground on even the lightest days, you've got to wonder what sort of estimated work hours they're using in their calculations. This is usually the lightest time of year, so what happens when things get really busy?
Not to mention that we still have the same number of people total doing the work, so this new method is demonstrably less effective than what we were doing before. How is this better?
So keeping my mental balance is more important than ever before. My meditation practice was slacking for a while under the pressure, as I was having trouble sleeping due to the stress and needed the sleep more than the meditation. I had to learn to let go of the anger and remember to play the long game here. My mental fortitude has to outlast Big Cheese's willingness to put up with bad results. I've done well enough for the last week after losing my balance for a while.
One of my books nailed it, reminding me to do my best and forget about results. I'd predicted before any of this started that the true crash wouldn't come until April or May, so this is going to take time.
Monday, January 07, 2013
End of 2012
Definitely a change from last year, musically, moving from Splunge to Jefferson Wheelchair. From solid leader to new guy. But a big gain in terms of challenge level, and back out in front of audiences again. Good guys and good musicians, though of course no situation is perfect.
With Nick taking up bass and all of the lead vocal load, Splunge has managed to stay together without replacing me. And since JW regularly takes the week off after a show, I may be able to guest more frequently than I did this past year, giving me the opportunity to sing lead and play other instruments with a band outside of JW. That could work out to be beneficial all around.
Work took a big slide downhill toward year's end, as a new Big Cheese's unholy methods came into play. I've effectively (if not technically) been demoted, in spite of achieving more than expected of me, because of his radical redesign of our work processes. Not good, and I'm not enjoying the crazy increase in my workload, either. My agenda for the coming year of work is no more ambitious than to hold onto my job, and that will honestly be a challenge, since it was everything I could do to not walk out this past week.
An interesting by product of the added pressure and my continuing spiritual practice is my relative calm in the face of the madness at work. I have to admit that I've had more than a few bad days, but overall I'm coping as well as anyone else, and better than some. This is important in that I think the work situation is going to get a good deal worse before it gets better, and I'd rather not be one of the casualties of that process.
Took up playing mandolin as of December 2012, so that'll be something different, and I'm getting back to playing guitar again finally, now that I'm caught up with JW's material. Continuing to expand my musical skills is definitely in my plans for 2012.
Didn't succeed in getting back to writing of any kind. It's still on the agenda for the upcoming year.
I'd like to get some things done around the house again. That slipped a bit in 2012 after a particularly productive 2011 that way.
With Nick taking up bass and all of the lead vocal load, Splunge has managed to stay together without replacing me. And since JW regularly takes the week off after a show, I may be able to guest more frequently than I did this past year, giving me the opportunity to sing lead and play other instruments with a band outside of JW. That could work out to be beneficial all around.
Work took a big slide downhill toward year's end, as a new Big Cheese's unholy methods came into play. I've effectively (if not technically) been demoted, in spite of achieving more than expected of me, because of his radical redesign of our work processes. Not good, and I'm not enjoying the crazy increase in my workload, either. My agenda for the coming year of work is no more ambitious than to hold onto my job, and that will honestly be a challenge, since it was everything I could do to not walk out this past week.
An interesting by product of the added pressure and my continuing spiritual practice is my relative calm in the face of the madness at work. I have to admit that I've had more than a few bad days, but overall I'm coping as well as anyone else, and better than some. This is important in that I think the work situation is going to get a good deal worse before it gets better, and I'd rather not be one of the casualties of that process.
Took up playing mandolin as of December 2012, so that'll be something different, and I'm getting back to playing guitar again finally, now that I'm caught up with JW's material. Continuing to expand my musical skills is definitely in my plans for 2012.
Didn't succeed in getting back to writing of any kind. It's still on the agenda for the upcoming year.
I'd like to get some things done around the house again. That slipped a bit in 2012 after a particularly productive 2011 that way.
Saturday, January 05, 2013
JW - 1/5/2013
It's been about a month since we've played together, and everybody made it. The first couple of songs were predictably rough around the edges, but then we got it together. We focused on the songs that sounded the worst at the last show, and sounded better today than we did then.
We hadn't successfully agreed on any new songs to work on via e-mail, so we talked it out in person during this session. It didn't surprise me when it turned out to be a fairly large list, but the composition of that list did surprise me. New songs included: "Birthday" and "Let It Be" by the Beatles, "867-5309" by Tommy Tutone, "Movin' On" by Bad Company, "No Matter What" by Badfinger, and "Surrender" by Cheap Trick. "I'm a Man" remains on the list, but semi-sidelined. "Jesse's Girl" and "Some Kind of Wonderful" weren't mentioned. There seemed to be solid consensus on the new choices, with no more than one band member seeming to dissent in each case.
Andy has been playing "Let It Be" from time to time while testing keyboard sounds, so no surprise there, though we hadn't really discussed it as an actual band choice before. "Movin' On" was a spur of the moment thing originating with Keith, and since it worked well enough on the fly, we'll refine it a bit and keep it. I'm looking forward to "Surrender", as it's been years since I played it on a regular basis. The vocal parts are Big Fun and I think they'll sound amazing.
I'm going to be sonically experimental again for a while. I'm not going to replace my wireless rig (at least for now), so I'll be putting my pedal board back in place to buy myself some distance from my amplifier and to provide some options to modify my sound that I haven't used since before I upgraded to a more powerful amp. I'd like to experiment with using the harmonizer on the string break songs to fill out the band sound when we're down one guitarist. I'll also almost certainly return to using a chorus effect here and there for emphasis. And I'll explore some other options as I come up with them.
I stuck with my Ibanez 5 string throughout today's session (though I'd brought the Rick as well), and changed my sound there as well. I kept my amp settings the same, but backed off the treble and overall volume coming from the bass itself, so the active electronics weren't as hot as I've been using. I plan to experiment heavily in the coming weeks to see if I can still have a quality sound and lessen the difference in volume I've had between my two workhorse basses.
We hadn't successfully agreed on any new songs to work on via e-mail, so we talked it out in person during this session. It didn't surprise me when it turned out to be a fairly large list, but the composition of that list did surprise me. New songs included: "Birthday" and "Let It Be" by the Beatles, "867-5309" by Tommy Tutone, "Movin' On" by Bad Company, "No Matter What" by Badfinger, and "Surrender" by Cheap Trick. "I'm a Man" remains on the list, but semi-sidelined. "Jesse's Girl" and "Some Kind of Wonderful" weren't mentioned. There seemed to be solid consensus on the new choices, with no more than one band member seeming to dissent in each case.
Andy has been playing "Let It Be" from time to time while testing keyboard sounds, so no surprise there, though we hadn't really discussed it as an actual band choice before. "Movin' On" was a spur of the moment thing originating with Keith, and since it worked well enough on the fly, we'll refine it a bit and keep it. I'm looking forward to "Surrender", as it's been years since I played it on a regular basis. The vocal parts are Big Fun and I think they'll sound amazing.
I'm going to be sonically experimental again for a while. I'm not going to replace my wireless rig (at least for now), so I'll be putting my pedal board back in place to buy myself some distance from my amplifier and to provide some options to modify my sound that I haven't used since before I upgraded to a more powerful amp. I'd like to experiment with using the harmonizer on the string break songs to fill out the band sound when we're down one guitarist. I'll also almost certainly return to using a chorus effect here and there for emphasis. And I'll explore some other options as I come up with them.
I stuck with my Ibanez 5 string throughout today's session (though I'd brought the Rick as well), and changed my sound there as well. I kept my amp settings the same, but backed off the treble and overall volume coming from the bass itself, so the active electronics weren't as hot as I've been using. I plan to experiment heavily in the coming weeks to see if I can still have a quality sound and lessen the difference in volume I've had between my two workhorse basses.
Thursday, December 20, 2012
Splunge - 12/16/2012
Jason, Sal, Nick, and I on board. No, you aren't having a flashback. Played with Splunge again this past weekend due to a week off from Jefferson Wheelchair. Had the itch to play and thought it might be fun, and it was.
The other three guys have stayed together since I left the group, now nearly a year ago. They haven't replaced me, in spite of my encouraging them to do so. Instead, Nick has taken up bass in the last month or so, in addition to picking up all of the lead vocals, being the only singer left. So while I played bass for most of the session, I also played guitar for a couple of songs and mandolin on two others (each played twice, since we had the time).
They've cut the song list down substantially. I thought they might just get rid of a few songs that were more my choice than anyone else's, but it's a bigger change than that. I'd say the list has been nearly halved, and only two new songs added (the Kinks' "Victoria" and CCR's "Fortunate Son"), which I picked up right away. They've tightened things up a bit further, as might be expected, but the old characteristic rhythmic lapses still occur.
We played everything they still know, plus Rod Stewart's "Maggie May", with me on mandolin and Nick playing bass and singing lead. Not bad for a first run through, and it gave me the chance to test out my new electric/acoustic mandolin (birthday gift from my wife), which I also used on "Losing My Religion". Nick also played bass and sang Cracker's "Low" and CCR's "Fortunate Son", so I played guitar on both of those.
It was an odd experience for me to play another instrument and have someone else play bass. I kept finding my ears drawn to the bass part and hearing guitar or mandolin as though someone else was playing it. Weird. I'm sure I'd get used to it, but it was disconcerting going through it for the first time.
I'll probably continue to guest with them here and there when JW isn't playing. I'm obviously still welcome, and it'll give me a chance to experiment with playing other instruments from time to time if Nick keeps getting better on bass. It'll also give me the chance to sing some lead here and there, which I don't get to do often anymore (part of what I enjoyed about Splunge).
JW is also off for the next two weeks due to holiday scheduling issues, but another Splunge session should be out due to holiday activities on everyone's part. That's just how this time of year is.
The other three guys have stayed together since I left the group, now nearly a year ago. They haven't replaced me, in spite of my encouraging them to do so. Instead, Nick has taken up bass in the last month or so, in addition to picking up all of the lead vocals, being the only singer left. So while I played bass for most of the session, I also played guitar for a couple of songs and mandolin on two others (each played twice, since we had the time).
They've cut the song list down substantially. I thought they might just get rid of a few songs that were more my choice than anyone else's, but it's a bigger change than that. I'd say the list has been nearly halved, and only two new songs added (the Kinks' "Victoria" and CCR's "Fortunate Son"), which I picked up right away. They've tightened things up a bit further, as might be expected, but the old characteristic rhythmic lapses still occur.
We played everything they still know, plus Rod Stewart's "Maggie May", with me on mandolin and Nick playing bass and singing lead. Not bad for a first run through, and it gave me the chance to test out my new electric/acoustic mandolin (birthday gift from my wife), which I also used on "Losing My Religion". Nick also played bass and sang Cracker's "Low" and CCR's "Fortunate Son", so I played guitar on both of those.
It was an odd experience for me to play another instrument and have someone else play bass. I kept finding my ears drawn to the bass part and hearing guitar or mandolin as though someone else was playing it. Weird. I'm sure I'd get used to it, but it was disconcerting going through it for the first time.
I'll probably continue to guest with them here and there when JW isn't playing. I'm obviously still welcome, and it'll give me a chance to experiment with playing other instruments from time to time if Nick keeps getting better on bass. It'll also give me the chance to sing some lead here and there, which I don't get to do often anymore (part of what I enjoyed about Splunge).
JW is also off for the next two weeks due to holiday scheduling issues, but another Splunge session should be out due to holiday activities on everyone's part. That's just how this time of year is.
Sunday, December 09, 2012
JW - Third Show at the Horseshoe Pub
Very slick on the set-up this time, done very early and plenty of time to sound check. Good mix and good monitors before we got started.
The place was relatively empty before we started, which concerned me. There was some minor league adverse weather (serious fog in the general area). It shouldn't have kept most people home, but probably wasn't helping us. The crowd picked up during the first set, though. We need to start drawing some people beyond our own friends/family, and that's a slow process. Overall draw was okay, but not impressive.
I had some technical problems, as my wireless rig noisily gave up the ghost during the second set, forcing me to adjust my sound on the fly and limit my movement. We had a serious case of creeping volume, to the point where I couldn't hear the lead vocals at all, making harmonies (and keeping track of where we were in the song) a struggle at best. Definitely not my finest set as a member of this band. On the other hand, Keith prefers to play at high volume and was very happy with that set. He also wore light-up devil horns for "Dirty Deeds", which was fun.
We brought the volume down slightly for the third and fourth sets, and I managed to dial in a good sound on the Rick, so I stuck with it most of the rest of the way and felt I redeemed myself to some degree during those sets. Still too damn loud to really function vocally, though.
Bill's voice sounded ragged to me again, with jet lag (he'd just come back from LA) and the high volume pushing him to his limit. We'll see how it comes out on the recordings. Singing lead on virtually every song for four sets would be challenging for almost any singer, and those other factors didn't help. He always seems to be burning the candle at both ends, which concerns me.
Everybody else seemed happier with our performance than I was. I didn't think it was terrible, but I know we can be so much better than this. The new songs didn't go well, except for "The Twist" and possibly "The Boys are Back in Town". Overall, I think it was better than the first show, but not as good as the second. We're scheduled to be back in February, and I hope we can do better then.
The place was relatively empty before we started, which concerned me. There was some minor league adverse weather (serious fog in the general area). It shouldn't have kept most people home, but probably wasn't helping us. The crowd picked up during the first set, though. We need to start drawing some people beyond our own friends/family, and that's a slow process. Overall draw was okay, but not impressive.
I had some technical problems, as my wireless rig noisily gave up the ghost during the second set, forcing me to adjust my sound on the fly and limit my movement. We had a serious case of creeping volume, to the point where I couldn't hear the lead vocals at all, making harmonies (and keeping track of where we were in the song) a struggle at best. Definitely not my finest set as a member of this band. On the other hand, Keith prefers to play at high volume and was very happy with that set. He also wore light-up devil horns for "Dirty Deeds", which was fun.
We brought the volume down slightly for the third and fourth sets, and I managed to dial in a good sound on the Rick, so I stuck with it most of the rest of the way and felt I redeemed myself to some degree during those sets. Still too damn loud to really function vocally, though.
Bill's voice sounded ragged to me again, with jet lag (he'd just come back from LA) and the high volume pushing him to his limit. We'll see how it comes out on the recordings. Singing lead on virtually every song for four sets would be challenging for almost any singer, and those other factors didn't help. He always seems to be burning the candle at both ends, which concerns me.
Everybody else seemed happier with our performance than I was. I didn't think it was terrible, but I know we can be so much better than this. The new songs didn't go well, except for "The Twist" and possibly "The Boys are Back in Town". Overall, I think it was better than the first show, but not as good as the second. We're scheduled to be back in February, and I hope we can do better then.
Sunday, December 02, 2012
JW - 12/2/2012
Last practice before the 12/8 show, and everybody was there. Bill was a bit the worse for wear due to his activities the previous night.
We ran through the fourth set (the only one we didn't play last session), then reviewed some of the new material and some odds and ends to make sure we're ready, and we are. Sounded pretty good, all in all, but very loud. I had my earplugs in all of the way by the end, which is something I don't usually need to do.
Still wasn't feeling much like talking, which has gone on now for over a week, and I'm not sure why. Just in a phase where I'm taking everything in, I suppose.
Looking forward to playing in front of an audience again next week, and to taking on some new material after that show.
We ran through the fourth set (the only one we didn't play last session), then reviewed some of the new material and some odds and ends to make sure we're ready, and we are. Sounded pretty good, all in all, but very loud. I had my earplugs in all of the way by the end, which is something I don't usually need to do.
Still wasn't feeling much like talking, which has gone on now for over a week, and I'm not sure why. Just in a phase where I'm taking everything in, I suppose.
Looking forward to playing in front of an audience again next week, and to taking on some new material after that show.
Tuesday, November 27, 2012
JW - 11/25/2012
Everybody on board this time, with Bill actually being roughly an hour early. So Bill has now made it for three of the last six, with one more practice before the next show.
I wasn't really in the mood to play, having spent most of the previous day at a memorial service for a good friend (more on that another time), but I don't think it hurt my performance much. I was feeling quiet, but I don't speak much at most practices anyway, so I doubt anyone noticed.
We went through three of the four planned sets, with few repeats. "I'm a Man" has been bumped to the last set because we want to play it in front of an audience, but we're not 100% sure it'll work. Overall, we had the sort of mental lapse mistakes you'd expect from not playing some of these songs for a while, but we still have one more practice to work out any remaining kinks, and don't have any major changes planned.
There was some discussion of getting work at other venues, which we really do need to do. I suspect we'll focus more on that after we get this particular show behind us.
I wasn't really in the mood to play, having spent most of the previous day at a memorial service for a good friend (more on that another time), but I don't think it hurt my performance much. I was feeling quiet, but I don't speak much at most practices anyway, so I doubt anyone noticed.
We went through three of the four planned sets, with few repeats. "I'm a Man" has been bumped to the last set because we want to play it in front of an audience, but we're not 100% sure it'll work. Overall, we had the sort of mental lapse mistakes you'd expect from not playing some of these songs for a while, but we still have one more practice to work out any remaining kinks, and don't have any major changes planned.
There was some discussion of getting work at other venues, which we really do need to do. I suspect we'll focus more on that after we get this particular show behind us.
Saturday, November 17, 2012
JW - 11/17/2012
No Bill again, which was the subject of some frustration on the part of all concerned. It's hard to feel prepared when the lead singer has missed three of the five practices since the last show, and we've got another coming up soon. I'm sure we'll be fine for the show itself, in that even the new songs are pretty solid, but it slows progress, and he'll have to catch up on any changes we've made on the back end. We now have two practices left before the next show, so I don't see us getting anything done during those practices except refamiliarizing ourselves with what we plan to play.
We went through the planned first two sets of four, skipping songs that we all felt were still solid, or that we really needed the lead singer to do. I'm concerned about harmonies, since Keith and I aren't practicing them when we're pinch hitting on lead vocals, and for some of those songs, it'll be six weeks since we've played them and been able to sing those harmonies.
On the plus side, the band has been very tight instrumentally, which builds confidence. I know we're all feeling that because Andy had commented on it. So in spite of our frustration with our lead singer, the band itself is still on solid ground.
We went through the planned first two sets of four, skipping songs that we all felt were still solid, or that we really needed the lead singer to do. I'm concerned about harmonies, since Keith and I aren't practicing them when we're pinch hitting on lead vocals, and for some of those songs, it'll be six weeks since we've played them and been able to sing those harmonies.
On the plus side, the band has been very tight instrumentally, which builds confidence. I know we're all feeling that because Andy had commented on it. So in spite of our frustration with our lead singer, the band itself is still on solid ground.
Sunday, November 11, 2012
JW - 11/11/2012
Everybody but Bill again. Not thrilled with that, but we got done what we could.
Most of the focus was on the new songs again, "Boys are Back in Town", "I'm a Man", "Ain't Seen Nothin' Yet", "Lights", and a slightly revised grouping of old school rock songs that should work pretty well. We also touched up some things in some of the existing list like the group riff in "Call Me the Breeze" that we hadn't had down.
Keith and I split lead vocals again depending on what was needed and what we could do. We didn't worry too much about finer points, focusing more on helping to keep the structure intact than on truly singing well.
Andy had a new pedal board and was changing up his sounds. Should be an upgrade, once he's worked out what he wants to do with it.
Dale had a new tentative set list for the 12/8 show, with the new songs in and a couple of the old songs out. Not many of the sidelined songs are back, but a lot has been moved around, so we will be shaking things up a bit, anyway. He also incorporated the list I'd given him of 5 string versus Rick songs, which should make my bass changes easier.
We should be able to fit three practices in before the show, and we have the new songs down pretty well, so we should be okay in spite of many partial band practices or entirely missed practices since the last show. I think we could've been a lot further along, though. On the whole, we've been surprisingly tight in general lately, but I'll feel more confident after we revisit the old material.
Most of the focus was on the new songs again, "Boys are Back in Town", "I'm a Man", "Ain't Seen Nothin' Yet", "Lights", and a slightly revised grouping of old school rock songs that should work pretty well. We also touched up some things in some of the existing list like the group riff in "Call Me the Breeze" that we hadn't had down.
Keith and I split lead vocals again depending on what was needed and what we could do. We didn't worry too much about finer points, focusing more on helping to keep the structure intact than on truly singing well.
Andy had a new pedal board and was changing up his sounds. Should be an upgrade, once he's worked out what he wants to do with it.
Dale had a new tentative set list for the 12/8 show, with the new songs in and a couple of the old songs out. Not many of the sidelined songs are back, but a lot has been moved around, so we will be shaking things up a bit, anyway. He also incorporated the list I'd given him of 5 string versus Rick songs, which should make my bass changes easier.
We should be able to fit three practices in before the show, and we have the new songs down pretty well, so we should be okay in spite of many partial band practices or entirely missed practices since the last show. I think we could've been a lot further along, though. On the whole, we've been surprisingly tight in general lately, but I'll feel more confident after we revisit the old material.
Sunday, November 04, 2012
JW - 11/4/2012
Hooray! We had everybody for this practice!
Still focused on the new songs, though we touched on a couple of old ones. "Lights", "Wicked Game", "Ain't Seen Nothin' Yet", "No Particular Place to Go/Johnny B. Good/The Twist", "I'm a Man", and "Boys are Back in Town" were practiced.
"867-5309" and "Jessie's Girl" are still on the agenda, but probably not for the December show. That's fine; it gives us new material for the next one.
Overall sound was surprisingly good in light of the fact that we haven't been able to get everybody together before now. I attribute that to relatively low group volume and the fact that nobody is bored of the new songs yet. We're still having scheduling problems for next week; we're either going to have to practice on a weekday or missing a member again.
We had some discussion of which sidelined songs to bring back, without much of a conclusion. The main concern seems to be potential drop-off in quality if we bring back too many. I think it's worth a slight drop in quality to show substantial variety, as long as it's a slight drop. Looking forward to the next set list to see which songs made the cut and where the new songs will be.
Still focused on the new songs, though we touched on a couple of old ones. "Lights", "Wicked Game", "Ain't Seen Nothin' Yet", "No Particular Place to Go/Johnny B. Good/The Twist", "I'm a Man", and "Boys are Back in Town" were practiced.
"867-5309" and "Jessie's Girl" are still on the agenda, but probably not for the December show. That's fine; it gives us new material for the next one.
Overall sound was surprisingly good in light of the fact that we haven't been able to get everybody together before now. I attribute that to relatively low group volume and the fact that nobody is bored of the new songs yet. We're still having scheduling problems for next week; we're either going to have to practice on a weekday or missing a member again.
We had some discussion of which sidelined songs to bring back, without much of a conclusion. The main concern seems to be potential drop-off in quality if we bring back too many. I think it's worth a slight drop in quality to show substantial variety, as long as it's a slight drop. Looking forward to the next set list to see which songs made the cut and where the new songs will be.
Sunday, October 28, 2012
JW - 10/26/2012
No Bill this time, so it'll be over a month since all five of us have practiced together. Not good in terms of keeping things tight, but at least we've had a couple of productive practices with four of the five of us. Might even be a good thing in terms of stepping away from the material a little and keeping things fresh, to a point.
Dale gave us the good news that we have our next show lined up at the Horseshoe Pub in December and two more in the coming year. We'll probably have four practices or so before the December show, so that gives us some time to regroup and tighten up again, as well as adding some new songs. Now what we really need is one or two more venues, preferably some distance from the Horseshoe.
We continued to focus on new songs, spending time on "Boys are Back in Town", "Lights", "Ain't Seen Nothin' Yet", and "Wicked Game". There was also some discussion of which of the sidelined songs we were going to bring back for the upcoming show, the possibility of bring back some songs from before Bill and I had joined the band, and which new songs we've discussed that we'll actually start playing. We didn't touch "867-5309", "Jessie's Girl", or "Some Kind of Wonderful" this time.
Keith and Andy don't seem especially interested in "867-5309" or "Jessie's Girl", saying that the guitar parts are more complicated than they sound, so these songs aren't as easy as they seem to be. They both said the same thing regarding Badfinger's "No Matter What". The thing is, I believe it would do us some good commercially to be a little more female-friendly and play more danceable, somewhat more current, material. The right mix of guitar heavy '70s rock and danceable '80's rock could have enough appeal to both genders to make us popular with general audiences. I learned a long time ago to put commercial considerations ahead of my own tastes, but each musician draws that line in a different place. The place where the band as a whole draws that line is going to depend on all of us together, and will have to be worked out over time. We pick up material faster than any other band I've ever been in, so we can have a large enough song list to draw that line differently every night if we want to. It's good to have options.
Dale gave us the good news that we have our next show lined up at the Horseshoe Pub in December and two more in the coming year. We'll probably have four practices or so before the December show, so that gives us some time to regroup and tighten up again, as well as adding some new songs. Now what we really need is one or two more venues, preferably some distance from the Horseshoe.
We continued to focus on new songs, spending time on "Boys are Back in Town", "Lights", "Ain't Seen Nothin' Yet", and "Wicked Game". There was also some discussion of which of the sidelined songs we were going to bring back for the upcoming show, the possibility of bring back some songs from before Bill and I had joined the band, and which new songs we've discussed that we'll actually start playing. We didn't touch "867-5309", "Jessie's Girl", or "Some Kind of Wonderful" this time.
Keith and Andy don't seem especially interested in "867-5309" or "Jessie's Girl", saying that the guitar parts are more complicated than they sound, so these songs aren't as easy as they seem to be. They both said the same thing regarding Badfinger's "No Matter What". The thing is, I believe it would do us some good commercially to be a little more female-friendly and play more danceable, somewhat more current, material. The right mix of guitar heavy '70s rock and danceable '80's rock could have enough appeal to both genders to make us popular with general audiences. I learned a long time ago to put commercial considerations ahead of my own tastes, but each musician draws that line in a different place. The place where the band as a whole draws that line is going to depend on all of us together, and will have to be worked out over time. We pick up material faster than any other band I've ever been in, so we can have a large enough song list to draw that line differently every night if we want to. It's good to have options.
Saturday, October 20, 2012
JW - 10/20/2012
No Andy this time. It's been a couple of weeks since we've played together, between scheduling issues and illnesses. Turns out Bill and Keith both had the same bug I'd had. My voice was still weak, and I stopped being able to hit high notes about halfway through the session.
We stuck to new songs rather than going over old ones without Andy. Consensus was that the ones we'd been playing were fairly solid and that there wasn't much point in reviewing them while missing a member. So, we went over "I'm a Man", "Lights", "Jenny (867-5309)", "Jessie's Girl", and "Some Kind of Wonderful", spending some time on the vocals for "Lights" in particular.
All sounded good for a start, though they still need a few runs with Andy on board, obviously. So for next time, we'll have those songs, plus "Boys are Back in Town", plus we're going to bring back some of the songs we'd sidelined next practice. And we're going to start on BTO's "Ain't Seen Nothin' Yet", which the original members had played before, but Bill and I haven't played with them yet. So, plenty of new songs for next time.
Dale has been in touch with the Horseshoe Pub about playing there again. Nothing set yet, but it sounds promising for the future.
We stuck to new songs rather than going over old ones without Andy. Consensus was that the ones we'd been playing were fairly solid and that there wasn't much point in reviewing them while missing a member. So, we went over "I'm a Man", "Lights", "Jenny (867-5309)", "Jessie's Girl", and "Some Kind of Wonderful", spending some time on the vocals for "Lights" in particular.
All sounded good for a start, though they still need a few runs with Andy on board, obviously. So for next time, we'll have those songs, plus "Boys are Back in Town", plus we're going to bring back some of the songs we'd sidelined next practice. And we're going to start on BTO's "Ain't Seen Nothin' Yet", which the original members had played before, but Bill and I haven't played with them yet. So, plenty of new songs for next time.
Dale has been in touch with the Horseshoe Pub about playing there again. Nothing set yet, but it sounds promising for the future.
Saturday, October 13, 2012
Sick, Sick, Sick
I don't get sick very often in recent years, maybe once/year on average, but when I do, it's serious business.
I picked up some sort of cold last weekend, missed three days of work, and I'm still feeling the effect today. I have virtually no voice, and I'm still coughing constantly. It's too frequent for me to meditate, and yoga is tough to do when you start hacking every time you bend over even a little.
This particular cold variant involved a very sore throat, which is deadly for me. I'm used to coping with nasal congestion due to my allergies, but adding in the serious sore throat left me struggling for every breath for a couple of days. Breathing felt as though someone was scraping a razor blade across my throat with each inhalation. I wasn't able to get more than 2 1/2 hours sleep at a time, which doesn't help the healing process one bit.
JW had to cancel practice this weekend because Keith is sick as well (wouldn't surprise me if it's the same thing I've got), which would ordinarily annoy me, but turns out to be a break in this case. I really dislike that we're missing two weeks in a row after the gig again, but there it is.
Work stress certainly has something to do with this. I've been buried for a little over a month now, and was trying to get things cleared up in time for my anticipated October vacation and a big organizational change at work starting 10/22. Got to put credit where it's due, though, and say that my boss did cut me off from receiving new claims for the two days I made it in this week, to give me the opportunity to get my feet under me before my vacation.
So I'm definitely worn around the edges today, and still coughing up a storm. I've got some work to do around the house, but I absolutely must get some rest and truly recover before work goes crazy on 10/22.
I picked up some sort of cold last weekend, missed three days of work, and I'm still feeling the effect today. I have virtually no voice, and I'm still coughing constantly. It's too frequent for me to meditate, and yoga is tough to do when you start hacking every time you bend over even a little.
This particular cold variant involved a very sore throat, which is deadly for me. I'm used to coping with nasal congestion due to my allergies, but adding in the serious sore throat left me struggling for every breath for a couple of days. Breathing felt as though someone was scraping a razor blade across my throat with each inhalation. I wasn't able to get more than 2 1/2 hours sleep at a time, which doesn't help the healing process one bit.
JW had to cancel practice this weekend because Keith is sick as well (wouldn't surprise me if it's the same thing I've got), which would ordinarily annoy me, but turns out to be a break in this case. I really dislike that we're missing two weeks in a row after the gig again, but there it is.
Work stress certainly has something to do with this. I've been buried for a little over a month now, and was trying to get things cleared up in time for my anticipated October vacation and a big organizational change at work starting 10/22. Got to put credit where it's due, though, and say that my boss did cut me off from receiving new claims for the two days I made it in this week, to give me the opportunity to get my feet under me before my vacation.
So I'm definitely worn around the edges today, and still coughing up a storm. I've got some work to do around the house, but I absolutely must get some rest and truly recover before work goes crazy on 10/22.
Sunday, September 30, 2012
JW - 9/29/2012 - Second Show at the Horseshoe Pub
Much better than the first show in several respects. Everybody seemed to be more confident and comfortable, since we knew the venue and had one show together under our belts. Bill had been at a Weezer performance earlier that day, and was clearly having some vocal trouble from the very beginning. Andy made some changes to the light set-up that made everybody more visible and allowed us to see the audience better. Good monitor mix. Andy and I were still having trouble hearing each other most of the time (because we're on opposite sides of the stage), but we could hear well enough to function.
The crowd stuck with us virtually all night, and was very enthusiastic at times. Volume was apparently not a problem, as the venue wants us back; it's just a matter of scheduling.
We still have a tendency to make some peculiar mistakes that are probably just lapses in concentration. These occur more frequently toward the end of the night, and I'm sure they are just the result of everybody getting tired. There was a notable timing problem (due to a long second set) that caused us to play the third and fourth sets back to back without a break, so a little wear around the edges is to be expected under that circumstance.
Keith really had the audience eating out of his hands with his soloing in spots. Most crowds appreciate a good guitar solo, but this was the next step up from that, where several audiences members were utterly focused on what he was playing. And Bill seemed more comfortable as a front man in spite of the issues with his voice.
Andy and I both did some audience time with our wireless rigs, but I think we're going to have to plan those things out better to make it effective. I'm sure it seemed random and pointless to the audience.
All in all, a good show, though I think we can still be better.
The crowd stuck with us virtually all night, and was very enthusiastic at times. Volume was apparently not a problem, as the venue wants us back; it's just a matter of scheduling.
We still have a tendency to make some peculiar mistakes that are probably just lapses in concentration. These occur more frequently toward the end of the night, and I'm sure they are just the result of everybody getting tired. There was a notable timing problem (due to a long second set) that caused us to play the third and fourth sets back to back without a break, so a little wear around the edges is to be expected under that circumstance.
Keith really had the audience eating out of his hands with his soloing in spots. Most crowds appreciate a good guitar solo, but this was the next step up from that, where several audiences members were utterly focused on what he was playing. And Bill seemed more comfortable as a front man in spite of the issues with his voice.
Andy and I both did some audience time with our wireless rigs, but I think we're going to have to plan those things out better to make it effective. I'm sure it seemed random and pointless to the audience.
All in all, a good show, though I think we can still be better.
Sunday, September 23, 2012
JW - 9/23/2012 - Wig Day
Last practice before our second show, and everybody was there. It's not unusual for Bill to be the last to show up for practice, but it certainly is unusual for him to show up wearing a wig and a second pair of glasses (without lenses), and having shaved his beard off. Obviously the rest of us asked questions, but didn't get solid answers. As much as we know is that Bill hadn't slept for 36+ hours and told us he wasn't really sure what he'd done last night. Did he lose a bet? Was it a bet? Did he want to see what we'd say, if anything? Was it some acting class exercise about lowering inhibitions pertaining to one's appearance. We may never know.
We buzzed through the full list of material we're planning to play next weekend, and it went smoothly for the most part. Vocals should be much improved since last time, though still not as smooth as I'd like to see on "Take It Easy" yet. Admittedly, that's the most vocally challenging song we've got. There were a few speed bumps, but it was more lapses of concentration than that somebody didn't know what they were doing. All agreed that if the show goes as well as practice did, we'll be fine.
That said, one of my old bands had a superstition that if the last practice before a show went well, the show would go poorly, and if the last practice before a show went badly, the show would go well. Let's hope that doesn't hold true in this case.
I'm more worried about whether or not we can keep the volume down than whether or not we can play well because I think the volume issue will be more of a determining factor regarding future bookings.
I'm looking forward to see where we go after this show. Obviously, "The Boys Are Back in Town" and "Lights" will be on the agenda for future practices, but which other songs will we be picking up? I know we'd discussed some simpler, danceable songs. And which of the sidelined songs will we bring back from the vaults for next time?
We buzzed through the full list of material we're planning to play next weekend, and it went smoothly for the most part. Vocals should be much improved since last time, though still not as smooth as I'd like to see on "Take It Easy" yet. Admittedly, that's the most vocally challenging song we've got. There were a few speed bumps, but it was more lapses of concentration than that somebody didn't know what they were doing. All agreed that if the show goes as well as practice did, we'll be fine.
That said, one of my old bands had a superstition that if the last practice before a show went well, the show would go poorly, and if the last practice before a show went badly, the show would go well. Let's hope that doesn't hold true in this case.
I'm more worried about whether or not we can keep the volume down than whether or not we can play well because I think the volume issue will be more of a determining factor regarding future bookings.
I'm looking forward to see where we go after this show. Obviously, "The Boys Are Back in Town" and "Lights" will be on the agenda for future practices, but which other songs will we be picking up? I know we'd discussed some simpler, danceable songs. And which of the sidelined songs will we bring back from the vaults for next time?
Saturday, September 15, 2012
JW - 9/13/2012
Third of three Thursday practices. Say that ten times fast.
Disjointed sort of session, with Andy showing up late due to an unavoidable problem. In spite of all the focus on it, "The Boys Are Back in Town" just isn't going to be good enough in time for the show. So be it; it'll be ready for the next one.
Because Andy was late, we spent a little time on vocal issues, and yes, I forgot some of the parts again, though I found them again quickly enough. I'm going to have to suggest that we rotate some of the vocal-heavy songs through more often so these stick. For the most part, the group vocals are improving, but I'd like to sharpen them more.
We also worked on bringing the volume down, which is going to be important for the upcoming show. Shouldn't be a big thing, but it seems to be with us. It's a problem with a lot of bands, actually.
We brought "Lights" back for a quick run at the end of practice, though we know we're not going to play it for this show. Sounded pretty good for a quick run-through, though.
Bill, Dale, and I were talking before practice about adding new songs after the next show. Consensus was that we'll add a few quick and easy songs to build the list a bit before taking on a project song like "Boys" again. I'm not crazy about some of the songs under discussion, but I know they'll go over and they're easy, so it makes sense to go with 'em. I'll get over it if they succeed with audiences.
Disjointed sort of session, with Andy showing up late due to an unavoidable problem. In spite of all the focus on it, "The Boys Are Back in Town" just isn't going to be good enough in time for the show. So be it; it'll be ready for the next one.
Because Andy was late, we spent a little time on vocal issues, and yes, I forgot some of the parts again, though I found them again quickly enough. I'm going to have to suggest that we rotate some of the vocal-heavy songs through more often so these stick. For the most part, the group vocals are improving, but I'd like to sharpen them more.
We also worked on bringing the volume down, which is going to be important for the upcoming show. Shouldn't be a big thing, but it seems to be with us. It's a problem with a lot of bands, actually.
We brought "Lights" back for a quick run at the end of practice, though we know we're not going to play it for this show. Sounded pretty good for a quick run-through, though.
Bill, Dale, and I were talking before practice about adding new songs after the next show. Consensus was that we'll add a few quick and easy songs to build the list a bit before taking on a project song like "Boys" again. I'm not crazy about some of the songs under discussion, but I know they'll go over and they're easy, so it makes sense to go with 'em. I'll get over it if they succeed with audiences.
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